John Steinbeck
American novelist and short story writer of the mid-20th century, Steinbeck is best known for his Pulitzer Prize-winning novel *The Grapes of Wrath*, which vividly captures the struggles of migrant workers during the Great Depression. His work often explores human resilience, social injustice, and the complexities of the American Dream, blending realism with poetic depth.
“But you can't start. Only a baby can start. You and me - why, we're all that's been. The anger of a moment, the thousand pictures, that's us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can't start again. The bitterness we sold to the junk man - he got it all right, but we have it still. And when the owner men told us to go, that's us; and when the tractor hit the house, that's us until we're dead. To California or any place - every one a drum major leading a parade of hurts, marching with our bitterness. And some day - the armies of bitterness will all be going the same way. And they'll all walk together, and there'll be a dead terror from it.”
“The last clear definite function of men—muscles aching to work, minds aching to create beyond the single need—this is man.”
“It seems to us that one of the deepest divisions between the Russians and the Americans or British, is in their feeling toward their governments. The Russians are taught, and trained, and encouraged to believe that their government is good, that every part of it is good, and that their job is to carry it forward, to back it up in all ways. On the other hand, the deep emotional feeling among Americans and British is that all government is somehow dangerous, that there should be as little government as possible, that any increase in the power of government is bad, and that existing government must be watched constantly, watched and criticized to keep it sharp and on its toes.”
“Many a trip continues long after movement in time and space have ceased.”
“In utter loneliness a writer tries to explain the inexplicable.”
“Where does discontent start? You are warm enough, but you shiver. You are fed, yet hunger gnaws you. You have been loved, but your yearning wanders in new fields. And to prod all these there's time, the Bastard Time.”
“A dying organism is often observed to be capable of extraordinary endurance and strength. ... When any living organism is attacked, its whole function seems to aim toward reproduction.”
“Give a critic an inch, he'll write a play.”
“Henry liked fun and avoided when he could any solemn or serious matter, for he confused these with sorrow.”
“It is a common experience that a problem difficult at night is resolved in the morning after the committee of sleep has worked on it.”
“Humans are caught -- in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too -- in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any chances we may impose of field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I don well -- or ill?”
“... but she was also bewilderingly lonely... Abra had lost her gift for being alone.”
“But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There's no godliness there.”
“Montana seems to me to be what a small boy would think Texas is like from hearing Texans”
“Death is a personal matter, arousing sorrow, despair, fervor, or dry-hearted philosophy. Funerals, on the other hand, are social functions. Imagine going to a funeral without first polishing the automobile. Imagine standing at a graveside not dressed in your best dark suit and your best black shoes, polished delightfully. Imagine sending flowers to a funeral with no attached card to prove you had done the correct thing. In no social institution is the codified ritual of behavior more rigid than in funerals. Imagine the indignation if the minister altered his sermon or experimented with facial expression. Consider the shock if, at the funeral parlors, any chairs were used but those little folding yellow torture chairs with the hard seats. No, dying, a man may be loved, hated, mourned, missed; but once dead he becomes the chief ornament of a complicated and formal social celebration.”
“In literary criticism the critic has no choice but to make over the victim of his attention into something the size and shape of himself.”
“Man is the only kind of varmint sets his own trap, baits it, then steps in it.”
“Liza hated alcoholic liquors with an iron zeal. Drinking alcohol in any form she regarded as a crime against a properly outraged deity... When LIza was about seventy her elimination slowed up and her doctor told her to take a tablespoon of port wine for medicine. She forced down the first spoonful, making a crooked face, but it was not so bad. And from that moment she never drew a completely sober breath. She always took the wine in a tablespoon, it was always medicine, but after a time she was doing over a quart a day and she was a much more relaxed and happy woman.”
“In human affairs of danger and delicacy successful conclusion is sharply limited by hurry.”
“It ain't kin we? It's will we?”